Both cameras shoot Blackmagic Raw and both cameras will have Blackmagic’s new Generation 4 Color Science so images from both cameras should look similar. With the URSA Mini Pro 4.6K G2 and Blackmagic Pocket Cinema Camera 4K, we may again have a great one-two punch from Blackmagic. At least, you will likely see me combining the best of each camera so I can pack the greatest punch and not kill my wallet. While all of these great examples did offer similar looks and gave shooters flexibility I believe with the Pocket 4K and Pro G2 we will see two cameras being used together and often. Then there was the URSA, the big one, and the URSA Mini 4K and their Global Shutter glory, but both did not quite get the love the URSA Mini Pro has received. Blackmagic Design did match the original URSA Mini 4.6K and URSA Mini Pro very well since they were essentially the same camera, but these two cameras were not exactly different in price. Blackmagic Design did this with the original 2.5K BMCC and Pocket Cinema Camera but these cameras did not offer up the high frame rates I love to shoot. For example, Sony, Canon, and Panasonic have, it appears, tried to give lower priced cameras a similar look as their flagship camera without undercutting themselves. Nearly all camera manufacturers have figured this out and so has Blackmagic for the most part. Do you know what is also ideal? When each camera’s image looks the same.

This is how I like to roll when shooting. If I am lucky then I have a third camera ready for a wholly different angle ready to shoot. Another camera on a gimbal ready to float.

Ursa mini 4.6 k